a7RIII with FE 85mm F1.4GM (SEL85F14GM)  |  1/2500sec, f/1.4, ISO100. I used Marco’s book, The Description of the World, written in the 13th century, as a sort of travel guide. Fishing of course, but still no big fishing, and boats were still really sparse. When you have good gear like that, it makes you more confident and it takes some pressure off when you're in the field. Find the perfect Michael Yamashita stock photos and editorial news pictures from Getty Images. So it goes on the mighty Mekong. Just to be there and know the stories of these places with plenty of war history, that was significant. Reliability is crucial when on the go. 20cm x 29cm. But it's only when they drop that smile that you get serious and you start getting serious pictures. That’s part of the deal, you chop up the dead bodies, throw them in the water, and the fish feed on them. I don't care if the ears or anything else may be slightly out of focus. Jun 19, 2013 - This Pin was discovered by W.Charles. Editeur. His pictures are currently enjoyed by over 1.6 million Instagram followers here, while his work can be viewed and purchased on his website. 13/10/2011. Everybody individually should try to do their part. Yamashita eventually published this work in National Geographic’s “A Haunted River’s Season of Peace”, a sprawling 1993 article that gave readers a glimpse at scenes rarely witnessed by outsiders. That's some amazing stamina. 1.4 depth of field is very shallow, so you need to be able to change that focus quickly and the only way you'll be able to do that is with continuous autofocus. Members work with our team to shape our editorial direction and hold us accountable. a7RIII with FE 24-105mm F4 G OSS (SEL24105G)  |  1/250sec, f/18, ISO100. Another setting that gives me an edge is continuous autofocus, instead of single autofocus, because again you never know where your subject may be moving especially when you're using these really fast Sony lenses. What did it mean at the time to embark on this kind of trip? There was no such thing as a tourist, that’s for sure. And now, 30 years later, everybody seems to be predicting the doom of the fishing industry. Laos was closed to foreigners, Cambodia – other than [when King Norodom Sihanouk was] returning, there were still soldiers all over. There was only one bridge across that part of the Mekong at that time but it was just one lane, just ridiculously small. Famous speakers and photographers have included Lindsay Adler, Will Crockett, Rick Sammon, Tyler Stableford, Art Wolfe, Erin Manning, and Michael Yamashita. It's one of the few professions where there's no room for error. bookofkhidr. I also pack every lens and every focal length I have, which is pretty much every lens that Sony has, so I'm guaranteed of the results I want, and have backups as well. The 'R' in the a7R III stands for resolution, and if you've seen any of my exhibitions, you know I love big prints. Two years later, he published more of his photography in a book simply titled Mekong, which he described as a “social history” of the river and its people. Michael Yamashita has been shooting for The National Geographic for over 30 years, combining his dual passions of photography and travel, bringing to life countless of stunning and breathtaking photographs that inspired many. So it seems to be focusing on the same issues on another huge river where people, again, really depend upon it for their livelihood. I have pictures of them pulling in fish the size of tuna, huge Mekong catfish and all manner and kind of other fish, in so many different ways of catching them. I retraced his route to China, much of which followed the Silk Road. Whether you’re using a ladder, climbing a hill or a rooftop, or boarding a fixed-wing aircraft, Michael shares his secrets, stories and pro tips from three decades of shooting captivating images around the globe. Geo Panorama. The eyes are the window to the soul. We have a full curriculum of classes and seminars from world famous speakers such as Art Wolfe, Rick Sammon, Michael Yamashita, Tyler Stableford, Lindsay Adler, and Will Crockett. As a photographer, I like to hear the 'click' sounds of the shutter. Southeast Asia Globe sat down with Yamashita to reflect on his incredible journey almost three decades on, as well as hear his thoughts on the dams and environmental degradation blighting the river today By Andrew Haffner. For portraits where I'm shooting fairly long, I also use the 70-200 2.8 G Master lens. Yes, of course. As you came further down the river, Laos was also quite sparse aside from small cargo carriers going up and down. MICHAEL YAMASHITA: Firstly, it has super accurate focusing. I think professionals want the simplest and best gear that lets them just focus on the subject. Capture the essence of a genuine moment, uninterrupted, with silent shooting. That's why I want the best stuff, and that's what I'm carrying. In 1991, maybe 1990, I photographed the Manwan Dam being built, and that was the first real one on the Mekong. Learn more about how Sony's advanced Eye AF can help you. ISBN. Great photography depends on your vision, it's all about how you see the subject that you're looking at. 34.3k Likes, 185 Comments - Michael Yamashita (@yamashitaphoto) on Instagram: “Capture the essence of a genuine moment, uninterrupted, with silent shooting. 29cm x 31cm. I just hope they’ll preserve something of what it used to be. Nobody had seen it, and they wanted to see what it looked like, so myself and the writer were invited to the Pentagon to be debriefed in front of this huge crowd of experts on Asia. Definitely. Michael Yamashita (MY): I did a three-part story for the National Geographic about Marco Polo in 2001. Nombre de pages. I was there fairly recently and now there’s at least three big bridges that cross the Mekong there. Film. It’s this very short-sightedness where people are only thinking of their own circumstances and not of the future, especially for their children, who will have hell to pay. Once you got below Khone Falls, you get into Cambodia – and things went berserk around Phnom Penh, where the river was being used for everything. Sony Ambassador Michael Yamashita has shot for National Geographic for more than 30 years, combining his passions of travel and photography with his love of history and culture. An Asian Studies major at Wesleyan University and fluent in Japanese, Michael has followed his roots to become a Far East expert. I retraced his route to China, much of which followed the Silk Road. Depicting scenes in intimate detail.See every colour and texture in impressive high resolution with 42.4 megapixels and 5 axis in-body image stabilisation. These are my main arsenal. Format. Dec 7, 2015 - 308.3k Likes, 878 Comments - National Geographic (@natgeo) on Instagram: “Photograph by Michael Yamashita @yamashitaphoto. What was your impression of the relationship of the people and the river back then? No, there was optimism everywhere. 2810401861. Illustration. The souls go to an afterlife, but, in return, the Tibetans don’t eat the fish. Unique University also offers one-on-one personalized instruction. Back then, I would’ve been the only person, and now there’s about 100 Chinese tourists that have gotten up for the sunrise, and are still getting beat there. In March 2009, it was mentioned that Unique Photo is the largest film supplier in the United States. Sony's compact and lightweight mirrorless system, combined with silent shooting, is perfect for candid shots while travelling. I felt very sympathetic toward the Cambodians and, of course, the Vietnamese. National Geographic. Did you feel any familiarity with it, any kind of bond by the end of your journey? But the process in places like Cambodia and Vietnam, where the money is not quite there – that’s a difficult ask for people to do any kind of sacrifice at all. Never miss a moment with Sony's advanced Eye AF, capable of tracking your subject and shooting at 10FPS. These rapids and deep gorges make it pretty much unavailable for anything but irrigation, and it’s also a tough area to be growing crops, so you don’t see it used for much at all. 978-2810401864. Elizabeth Bibb. When I let the camera do the work, I can concentrate on the subject, and that's the way I like to work. Editor-at-Large for Photography, National Geographic magazine. I want the eyes, and I love shooting at 1.4, especially for that beautiful soft bokeh that is part of the lens' natural look. No boats in those days, and there were the Tibetans who believed in water burial and didn’t eat the fish. The Tibetans – mostly in Tibetan territory right through the northern areas of Yunnan – it’s very sparsely populated and the river runs really rough. In Vietnam, I was the first one in the delta since the war, to the point where we were debriefed by the [US Department of State] when I came back. Michael Yamashita is our lead #ShotByMi 2020 judge and a 30-year veteran of the National Geographic Magazine. The legendary National Geographic photographer will lead a series of masterclasses onboard, inviting passengers to “Explore Through the Lens”. And everyone still looks at a river as a cleansing thing – you throw the garbage in and forget it. The wet season had the huge contrast with rising waters, and you could see the difference in the banks when all those metres were exposed. a7RIII with FE 85mm F1.4GM (SEL85F14GM)  |  1/8000sec, f/1.4, ISO400. Plus there are people profiting big-time, and these are the ones in power. 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